The Wilderness-Eroded Suite – Paul Haydock-Wilson

High resolution digital scanning and archival inkjet printing make it possible to faithfully represent the visual qualities of the surface. It also opens up opportunities to resize, manipulate and distort. By enlarging the image, scale and perception shifts dramatically. The microscopic becomes macroscopic and it becomes possible to negotiate the landscape as a surface map. The local tactile and kinaesthetic features of the surface which were previously invisible are now perceptually clear. It turns the viewer into explorers, roaming visually and creating their own cognitive trails.

Gallery:

The Wilderness is Beautiful Because You are Part of it, Vol.I

An Eroded History of the Lower Depths, Vol.I

The Wilderness is Beautiful Because You are Part of it, Vol.II

An Eroded History of the Lower Depths, Vol.II

The Wilderness is Beautiful Because You are Part of it, Vol.III

An Eroded History of the Lower Depths, Vol.III

Review

"The artist observes and records beauty in the least likely of places, such as the oily grey mud and waters of a London river where a frond of seaweed drifts by and occasional vivid colours of a passing blue buoy or a red balloon. Industrial shapes of cranes and gas works emerging from fogs of silvers, golds and greys. He includes a passing helicopter, seagulls chatter and a plane as soundtrack for his gentle observation. In his etchings the contrasts are dramatic in a different way, the mountains and cliffs of Ireland stand against the tactile softness of wet sand and seaweed or the luminosity of sea and sky. In Dreamfields he has used double exposure on film to create ghostly landscape images. I get the impression of an artist who is sharply observant, but find no hint of criticism in what he observes, only a patient watchfulness. His work can be hypnotically serene." JUDY RUSSELL - POET